For dancers 15+. Every term we make a concept film, released and yours to keep. You train to industry standard every other Sunday to make it.
Technique, style, performance. Four hours, every other Sunday. No marking.
Work from real treatments and call sheets. Learn the job, not just the moves.
A full production day closes every term. Directed, lit, filmed, edited properly.
The film drops. Your name in the credits. Footage cleared for your reel.
Foundation term. Train, build the first concept, shoot it before Christmas.
The level rises. New concept, new styling, guest choreographers in the room.
The statement piece. The film that defines the year.
Professionally shot and edited, cleared for your own reel, pages and applications.
Three public films a year with your name on them. Proof, not promises.
Treatments, call times, thirty-minute sections. You'll know how a shoot runs, because you'll have run them.
Commercial technique, pick-up speed, performance on camera. The skills the work actually asks for.
Every term brings guest choreographers and creatives working in the industry now into the room. You train with them, create with them, and build your name and your contacts alongside the work.
For dancers 15+ training to industry standard. You keep your current training. FULLOUT is the layer on top. Entry is by video audition. Places are capped, and they do run out.
DIR. TAYLOR YATES
Choreographer and creative director, fourteen years across TV, music and live. Every FULLOUT film is directed and choreographed in-house. The same eye that trains you is the one behind the camera.
Directs and choreographs his own concept films.
For comparison, a full production day costs around £1,000 to book on its own. Your year includes three, plus the training and three concept films to keep.
Paid monthly by standing order or Direct Debit.
One video. Sixty seconds. Any commercial or street style. Show us how you move and tell us why you're serious. Everything else is on the form.
Apply to be cast →︎